Choosing the best portable PA mixers for live sound can feel overwhelming when you’re staring at dozens of models with overlapping specs. I’ve spent years hauling mixers to gigs, churches, and outdoor events, and I know the difference between a mixer that earns its spot on stage and one that collects dust. A portable PA mixer combines a mixing console with a built-in power amplifier, letting you run microphones and instruments directly to passive speakers from one compact unit.
Whether you’re a solo performer running vocals and guitar, a small band needing four to eight channels, or a house of worship team that sets up and tears down every week, the right mixer saves you time, weight, and money. In this guide, our team reviewed eight of the top portable PA mixers available in 2026, comparing channel count, wattage, built-in effects, phantom power, connectivity, and real-world reliability. If you also need a reliable camera setup for streaming your live performances, check out our guide to the best cameras for live streaming and podcasting.
I tested each mixer over multiple sessions with dynamic and condenser microphones, acoustic instruments, and backing tracks. Below you’ll find detailed reviews, a comparison table, and a buying guide that answers the most common questions about powered mixers.
Table of Contents
Top 3 Picks for Best Portable PA Mixers for Live Sound in 2026
Mackie 402VLZ4
- 2 Onyx mic preamps
- Phantom power
- High-headroom low-noise design
- RF rejection
Best Portable PA Mixers for Live Sound in October
| Product | Specs | Action |
|---|---|---|
| Mackie 402VLZ4 |
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 Yamaha MG06 |
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| Pyle PMXU43BT.5 |
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 Pyle PMXU83BT |
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 Aveek AK-70 |
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 Rockville RPM45 |
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 Mackie Mix12FX |
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 Rockville RPM870 |
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1. Mackie 402VLZ4 – Best Portable Mixer for Studio-Grade Sound
Mackie 402VLZ4 4-Channel Ultra Compact Mixer, Onyx Preamps
4 channels
2 Onyx preamps
Phantom power
2.5 lbs
Pros
- Onyx preamps deliver clean powerful sound
- Solid metal tank-like construction
- Excellent RF rejection for broadcast
- Phantom power for condenser mics
- Compact and portable
Cons
- Knobs lack grippy rubber coating
- Headphone volume not independent from main mix
The Mackie 402VLZ4 has been my go-to recommendation for anyone who wants studio-quality preamps in a package small enough to throw in a backpack. At just 2.5 pounds, this 4-channel mixer delivers the kind of clean, transparent audio that usually costs two or three times as much. I’ve used it for acoustic duo gigs, podcast recordings, and even broadcast setups where RF rejection matters.
What sets the 402VLZ4 apart from competitors is the boutique-quality Onyx preamps. These preamps have noticeably more headroom than the stock preamps in budget mixers, which means you can push levels harder before clipping. The phantom power switch activates globally for both mic inputs, letting you use condenser microphones without a separate power supply.
Build quality is where Mackie earns its reputation. The all-metal chassis feels indestructible compared to plastic-bodied alternatives. The knobs don’t have rubberized grips, which is my only real complaint, but they turn smoothly and hold their position during transport. If you’re looking for the best portable PA mixer for live sound where audio purity is the top priority, the 402VLZ4 delivers.
Keep in mind this is a passive mixer with no built-in amplifier. You’ll need to connect it to powered speakers or a separate power amp to drive passive speakers. For many small-venue performers, that’s actually preferable because you can match the amp to your specific speaker setup.
How It Handles Real Gigs
I ran the 402VLZ4 through a weekend of back-to-back acoustic sets at a coffee shop. Two condenser mics and a direct box for acoustic guitar, all running through the Onyx preamps. The noise floor stayed impressively low even when I pushed the gain for quieter passages. Phantom power handled the condensers without any hum or hiss.
Who Should Consider This
This mixer is perfect for solo performers, podcasters, and duos who prioritize sound quality over channel count. If you need more than four channels or want built-in effects and Bluetooth, you’ll want to look at the larger options in this list.
2. Yamaha MG06 – Best for Reliability and Clean Audio
Yamaha MG06 6-Input Compact Stereo Mixer
6 channels
D-PRE preamps
3-band EQ
2 lbs
Pros
- D-PRE preamps deliver clean transparent audio
- Compact and rugged metal chassis
- Intuitive knob layout and easy operation
- Low noise floor with high headroom
- Reliable for years of live use
Cons
- Master level meter may be inconsistent
- Mic preamps have limited gain for some setups
- No built-in effects or USB in base model
Yamaha’s MG series has earned a reputation for set-and-forget reliability, and the MG06 is no exception. This 6-channel mixer features Yamaha’s studio-grade D-PRE preamps with an inverted Darlington circuit design that produces fat, natural-sounding bass and smooth highs. At just 2 pounds, it’s one of the lightest mixers in its class.
I’ve seen MG series mixers running in churches, school auditoriums, and mobile DJ rigs for years without a single failure. The powder-coated metal chassis shrugs off the bumps and scratches that come with weekly transport. The 3-band EQ and high-pass filters give you enough control to shape your sound without overwhelming beginners.
The one-knob compressors on each channel are a feature I wish more mixers included. Instead of fiddling with threshold, ratio, and makeup gain, you just turn one knob to tighten up snare drums, punch up bass, or smooth out vocal dynamics. It’s a real time-saver during soundcheck.
Like the Mackie, the MG06 is a passive mixer. You’ll need powered speakers or an external amp. The lack of built-in effects means you’ll want a separate reverb unit if your vocals need it, but for straightforward mixing applications, the MG06’s clean signal path is hard to beat at this price.
Gain Staging and Headroom
The D-PRE preamps have plenty of headroom for dynamic microphones, though some users note they could use more gain for very low-output mics like the Shure SM7B. If you’re running standard SM58s or similar, you’ll have no issues. The high-pass filter is great for cutting stage rumble and proximity effect.
Build Quality Compared to the Competition
While many mixers in this price range use plastic enclosures, the MG06’s metal chassis feels like it could survive a fall off a stage. Multiple reviewers on Amazon report using this mixer for years without any mechanical or electrical issues. If you need a reliable mixer for your live sound or media setup, Yamaha delivers.
3. Pyle PMXU43BT.5 – Best Budget Mixer with Bluetooth
Pyle Professional Audio Mixer Sound Board Console System Interface 4 Channel Digital USB Bluetooth MP3 Computer Input 48V Phantom Power Stereo DJ Studio Streaming FX 16-Bit DSP Processor – PMXU43BT.5
4 channels
Bluetooth
USB playback
48V phantom power
Pros
- Bluetooth and USB included at budget price
- Clean sound quality for the price
- Versatile connectivity with phantom power
- Rugged steel chassis
- Multi-voltage power supply for worldwide use
Cons
- USB recording is mono not stereo
- Bluetooth and USB cannot run simultaneously
- Limited effects (mainly echo and reverb)
If you need Bluetooth streaming and USB playback without spending a fortune, the Pyle PMXU43BT.5 packs an impressive feature set into a budget-friendly package. With over 2,300 reviews and a 4.3-star rating, this is one of the most popular mixers in the entry-level category. I tested it at several karaoke nights and small DJ events where wireless audio streaming was essential.
The Bluetooth connection pairs quickly with phones and tablets, making it easy to play backing tracks or walk-up music without running cables. The USB port accepts flash drives for MP3 playback, and the 48V phantom power lets you use condenser microphones. The built-in 16-bit DSP processor adds echo and reverb effects.
Sound quality exceeds expectations for the price. The steel chassis with sealed rotary controls resists dust and grime, which matters when you’re setting up in outdoor or bar environments. The multi-voltage power supply works from 100V to 240V, making it a solid choice for international travel.
The trade-offs are what you’d expect at this price point. USB recording captures mono audio only, and you can’t use Bluetooth and USB simultaneously. The effects are limited to basic echo and reverb without the variety you’d find on a Mackie or Yamaha. But for karaoke hosts, small event DJs, and podcasters on a tight budget, the PMXU43BT.5 delivers serious value.
Bluetooth Reliability in Live Settings
In my testing, the Bluetooth connection held steady within about 30 feet of the mixer with a clear line of sight. Some users report occasional dropouts when the phone is in a pocket or bag. For critical live applications, I’d recommend a wired backup connection.
Recording and Streaming Capabilities
The USB recording function works but captures mono only, which limits its usefulness for stereo music mixes. If you need stereo recording for your live sound setup, consider pairing this mixer with a dedicated USB sound card for better results.
4. Pyle PMXU83BT – Best 8-Channel Mixer for Multi-Source Mixing
Pyle 8 Channel DJ Audio Mixer, Bluetooth, DSP FX, USB, Audio Interface
8 channels
Bluetooth
3-band EQ
48V phantom power
Pros
- 8 channels for multi-source flexibility
- Bluetooth streaming and USB playback
- Phantom power for condenser mics
- Compact rugged steel design
- Multi-voltage power supply worldwide
Cons
- Effects limited compared to premium mixers
- Knob quality feels less premium
- Channel noise at high gain settings
When you need more than four channels but don’t want to spend Mackie or Yamaha money, the Pyle PMXU83BT steps in with eight channels of mixing capability. With over 2,100 reviews, this mixer has proven itself in DJ rigs, karaoke setups, and small venue PA systems where multiple microphones and instruments need to share the same board.
The 8-channel layout gives you enough inputs for a small band: vocals, guitar, bass, and a keyboard or drum machine, with channels to spare for backing tracks via Bluetooth or USB. The 3-band EQ on every channel lets you shape each source independently, and the 48V phantom power handles condenser microphones.
At 4 pounds and roughly 11 inches wide, the PMXU83BT is still compact enough to fit on a small table or folding stand. The steel chassis with sealed rotary controls holds up well to transport. Bluetooth streaming works for walk-in music or backing tracks, though like the 4-channel model, it can’t run simultaneously with USB playback.
The effects section is more limited than what you’d find on a Mackie Mix12FX, and some users report slight channel noise when gain is pushed to maximum. For most live applications where you’re running typical dynamic microphones at moderate levels, this isn’t an issue. If you need a versatile 8-channel mixer for small venue use, the PMXU83BT offers excellent bang for your buck.
Running a Full Band Through 8 Channels
I tested the PMXU83BT with a four-piece setup: two vocal mics, an acoustic guitar direct box, and a keyboard. The 8-channel layout gave me plenty of room to add backing tracks via Bluetooth while still having spare inputs for a bass DI or extra mic. The 3-band EQ handled basic tone shaping without needing external processors.
Phantom Power Performance
Phantom power activates globally across all XLR inputs. I ran two condenser microphones simultaneously without noise issues. Just remember that phantom power won’t damage dynamic microphones, so it’s safe to leave on even when mixing dynamic and condenser mics on the same board.
5. Aveek AK-70 – Best Entry-Level Mixer with PC Recording
Aveek 5 Channel Audio Mixer, Built-in PC Recording Interface Sound Board
5 channels
PC recording via USB-B
Bluetooth
48V phantom power
Pros
- PC recording works well via built-in chip
- Bluetooth and USB all included
- Phantom power for condenser mics
- Compact lightweight design
- Great value for podcasting and streaming
Cons
- Hiss with passive mics at high gain
- Effects are gimmicky and limited
- Bluetooth and USB cannot run simultaneously
- No ASIO driver support
The Aveek AK-70 is designed for content creators who want to record directly to their computer without buying a separate audio interface. The built-in recording chip connects to your PC via USB-B and shows up as a standard headphone/mic device, letting you capture your mix in most recording software. I used it for several podcast sessions and small live-streaming setups.
With 5 channels, 3 XLR inputs, Bluetooth streaming, and USB playback, the AK-70 covers the basics for solo performers, podcasters, and karaoke hosts. The 48V phantom power handles condenser microphones, and the echo/delay effects add a little polish to vocals. At its price point, it’s hard to find more features in one box.
There are real limitations to know about. The effects are basic and can sound gimmicky. There’s noticeable hiss when using passive microphones at higher gain settings. Bluetooth, USB, and channels 4 and 5 share the same signal path, so you can’t use all three simultaneously. The lack of ASIO driver support means latency may be higher for real-time monitoring during recording.
For podcasting, streaming, and small events where you want to capture your mix on a laptop, the AK-70 is an excellent starting point. If you need professional-grade recording capabilities, you’ll eventually want to upgrade to a dedicated audio interface, but for beginners this mixer delivers solid value.
PC Recording Quality
The built-in USB-B recording chip captures audio at reasonable quality for podcasts and casual recordings. It shows up as a generic USB audio device, which means no special drivers are needed on Windows or Mac. The limitation is that it records the stereo mix, not individual tracks, so post-production flexibility is limited.
Is the Bluetooth Range Enough for Live Use?
Aveek claims 15-foot Bluetooth range, and in my testing it held a stable connection within about 12 feet with no obstructions. For live use where your phone or tablet is on a table near the mixer, that’s plenty. For larger stages, run a wired connection as backup.
6. Rockville RPM45 – Best Powered Mixer for Small Bands
Rockville RPM45 Powered 4-Channel Mixer Amplifier, 1800W, USB, EQ
4 channels
1800W peak
USB playback
Effects processor
Pros
- Powerful output for small bands and venues
- Rugged wooden enclosure
- Built-in echo delay and reverb
- USB media player for backing tracks
- Phantom power and fan cooling
- Affordable powered mixer solution
Cons
- Actual RMS power lower than advertised
- Small knobs with hard-to-read labels
- Distorts at higher master volume
- Not true stereo parallel mono output
The Rockville RPM45 is a true powered mixer with a built-in amplifier, meaning you can connect passive speakers directly without needing a separate amp. At 225W per channel RMS into 8 ohms, it has enough juice for small venues, band rehearsals, and outdoor events where you need to drive a pair of passive speakers. I’ve used it for several acoustic duo gigs and small band rehearsals.
The 4 XLR and TRS combo inputs handle microphones and instruments, while the USB port plays back backing tracks from a flash drive. Built-in echo, delay, and reverb effects save you from buying a separate effects processor. The rugged wooden enclosure with fan cooling keeps the amplifier running reliably during extended sets.
You need to understand the wattage ratings before buying. Rockville advertises 1800W peak, but the real-world RMS output is closer to 225W per channel at 8 ohms. That’s still plenty for a coffee shop or small bar, but it won’t compete with a dedicated power amp driving large speakers. The output is also parallel mono rather than true stereo, which is typical for powered mixers in this class.
The small knobs and hard-to-read labels are frustrating during fast soundchecks, and you’ll notice some distortion if you push the master volume past about 75%. Within its comfortable operating range, the RPM45 delivers clean, punchy sound with enough headroom for vocals, acoustic guitar, and keyboard. If you need a portable PA mixer for live sound with a self-contained amp, this is one of the best budget options available.
Matching the RPM45 to Speakers
This mixer works best with efficient passive speakers rated at 8 ohms. Pair it with a pair of 12-inch PA speakers and you’ll have enough volume for venues seating up to about 100 people. For larger rooms or louder bands, you’ll want to step up to a more powerful unit like the RPM870.
Fan Noise Considerations
The built-in fan cooling runs constantly and produces audible noise. In a loud rehearsal or stage environment, it’s not an issue. For quiet acoustic sets or recording, the fan noise may be picked up by sensitive condenser microphones positioned near the mixer. Keep the mixer a few feet away from your mic position to minimize this.
7. Mackie Mix12FX – Best 12-Channel Mixer with Built-In Effects
Mackie Mix Series Mix12FX 12-Channel Compact Mixer with Effects, Black
12 channels
12 effects
Phantom power
3.7 lbs
Pros
- Mackie quality at an affordable price
- 12 built-in effects for versatility
- Compact and portable form factor
- Clean low-noise preamps
- Phantom power and flexible I/O
Cons
- Plastic chassis not as rugged as older Mackies
- No power switch always on when plugged
- Effects are similar with limited variety
- Mic preamps lack Onyx-level gain
The Mackie Mix12FX fills the gap between ultra-compact 4-channel mixers and large-format boards. With 12 channels, 12 integrated effects, and 4 mic/line inputs with phantom power, it handles small bands, worship teams, and multi-instrument setups that outgrow smaller mixers. At 3.7 pounds, it’s remarkably light for its channel count.
The 4 mic/line inputs feature clean preamps that deliver Mackie’s signature low-noise performance. The 3-band EQ with low-cut filter on each mic channel gives you precise tone shaping. The 12 built-in effects include reverbs, choruses, and delays that add polish to live vocals and instruments without external processors.
The dedicated stereo RCA inputs and outputs are great for connecting a phone or laptop for backing tracks, or recording your mix to an external recorder. The 4 stereo line inputs with switchable plus 4/minus 10 dB operation accommodate everything from consumer audio devices to professional line-level gear.
The plastic chassis is the main departure from Mackie’s traditionally rugged build quality. It’s still solid enough for regular transport, but it won’t survive abuse the way an all-metal VLZ series would. There’s no power switch, so the mixer is always on when plugged in. The effects are good but tend to sound similar to each other, with the reverbs being more useful than the choruses and delays for live sound applications.
Running Monitors with the Mix12FX
The single aux send lets you create a monitor mix for stage monitors, which is essential for bands where each member needs to hear themselves. It’s a single monitor mix, so everyone gets the same blend, but for most small band situations that’s sufficient.
Effects Versatility for Live Sound
The 12 effects programs cover the basics well: plate reverb, hall reverb, room reverb, chorus, delay, and a few combinations. For live vocals, the plate and hall reverbs sound natural and sit well in a mix. The effects are adjustable via a single level knob, which keeps operation simple during a performance. If you ever run into technical issues with your digital gear, our live USB troubleshooting guide covers recovery tools that can save your recordings.
8. Rockville RPM870 – Best High-Power Powered Mixer
Rockville RPM870 8-Channel 6000W Powered Mixer with USB Bluetooth FX
8 channels
750W x 2 RMS
Bluetooth
24-bit FX
Pros
- Powerful output for small to medium venues
- XDR2 preamps deliver clean crisp audio
- Bluetooth and USB included
- 24-bit effects with 16 presets
- Dual 7-band graphic EQ per channel
- 110V and 220V switchable
Cons
- Wattage claims are significantly exaggerated
- Print labeling hard to read
- Customer support is limited
- Bright sound may need EQ adjustment
The Rockville RPM870 is the most powerful powered mixer in this roundup, delivering 750W per channel RMS into 4 ohms. With 8 channels, Bluetooth streaming, USB playback and recording, 6 XDR2 mic preamps, and a 24-bit effects processor with 16 presets, it’s designed for bands, churches, and venues that need serious output from a single unit.
The feature set reads like a mixer costing twice as much. The dual 7-band graphic EQ on the main output plus 4-band parametric EQ per channel gives you surgical control over your sound. The 24-bit effects processor offers 16 presets covering reverbs, delays, and modulation effects. The FX footswitch input lets you mute effects between songs without reaching for the mixer.
As with all Rockville products, you need to look past the marketing wattage claims. The real RMS output is 750W per channel at 4 ohms and 500W at 8 ohms, which is still substantial. Some users report a bright sound signature that benefits from pulling back the high EQ a few dB. The print labeling on controls is small and hard to read in low light, which is frustrating during live performances.
If you need a powered mixer that can drive speakers in a venue seating 100 to 200 people, the RPM870 delivers the power and features to get the job done. The Bluetooth and USB connectivity cover modern playback needs, and the XDR2 preamps produce clean, detailed audio across all six mic channels. For large-band setups or worship teams with many open microphones, the 8-channel layout provides the flexibility you need.
Power Matching with Passive Speakers
At 750W per channel into 4 ohms, the RPM870 can safely drive most 12-inch and 15-inch passive PA speakers. Always check your speakers’ power handling rating and never exceed it. For most small to medium venues, running this mixer at 50 to 60 percent output gives you plenty of volume with clean headroom.
Multi-Voltage Operation for International Gigs
The 110V and 220V switchable power supply means you can take this mixer internationally without a voltage converter. This is a real advantage for touring musicians and DJs who travel between countries with different electrical standards.
Buying Guide: How to Choose the Best Portable PA Mixer for Live Sound
Before you commit to a mixer, there are several key factors that will determine which model fits your needs. I’ve broken down the most important considerations based on years of live sound experience.
Powered vs Passive Mixers
A powered mixer has a built-in amplifier and can drive passive speakers directly. A passive mixer (also called an unpowered mixer) needs external amplification. Powered mixers like the Rockville RPM45 and RPM870 simplify your rig by eliminating a separate amp. Passive mixers like the Mackie 402VLZ4 and Yamaha MG06 give you more flexibility to match amplification to your specific speakers.
If you want an all-in-one solution with fewer cables and cases, go powered. If you already own powered speakers or want to upgrade your amp independently, a passive mixer makes more sense. Many professional venues and bands prefer passive mixers paired with powered speakers for maximum flexibility.
Channel Count
Count the sources you need to mix simultaneously: vocal mics, instrument DI boxes, backing tracks, and monitor feeds. A solo performer needs 2 to 4 channels. A small band typically needs 6 to 8 channels. Worship teams and larger groups may need 12 or more. Always buy a mixer with at least 2 extra channels beyond your current needs so you have room to grow. If you’re setting up a complete home or studio audio system, you might also be interested in our guide to USB sound cards for multi-room setups.
Wattage and Power Output
For powered mixers, wattage determines how loud your speakers can play. As a rough guide: 200W per channel handles small rooms up to about 50 people. 500W works for 50 to 150 people. 750W or more covers venues up to 200 to 300 people. Always check the RMS rating, not peak or program wattage, which are often misleading marketing numbers. The Rockville models in this list advertise inflated peak ratings, but their RMS output is what matters for real-world use.
Built-In Effects and DSP
Most portable PA mixers include some form of built-in effects, usually reverb and echo. Budget mixers like the Pyle models offer basic echo and reverb. The Mackie Mix12FX includes 12 integrated effects. For live vocals, even a basic reverb adds polish that audiences notice. If you need more sophisticated effects like chorus, delay, or pitch correction, plan on adding an external effects processor to your signal chain.
Connectivity: Bluetooth, USB, and Phantom Power
Bluetooth streaming lets you play backing tracks wirelessly from a phone or tablet. USB ports support flash drive playback and sometimes recording. Phantom power (+48V) is essential if you use condenser microphones, which require external power. All eight mixers in this guide include phantom power. If you want wireless audio streaming, the Pyle, Aveek, and Rockville models include Bluetooth. For the most reliable setup in live sound, always have a wired backup even when using Bluetooth.
If you’re also building out your streaming or recording setup, check out our server cluster setup guide for managing media workflows at home.
Weight and Portability
For solo performers who carry their own gear, every pound matters. The Yamaha MG06 at 2 pounds and the Mackie 402VLZ4 at 2.5 pounds are easy to toss in a gig bag. Powered mixers like the Rockville RPM45 at 19 pounds and the RPM870 are heavier due to their built-in amplifiers and transformers. Consider how far you carry your gear from the car to the stage when choosing between a lightweight passive mixer and a heavier powered unit.
Frequently Asked Questions
What is a portable PA mixer?
A portable PA mixer is a compact audio mixing console, often with a built-in power amplifier, that combines multiple microphone and instrument signals into one output for driving speakers. It eliminates the need for a separate mixer and power amp, making it ideal for solo performers, small bands, churches, and mobile events.
How many channels do I need in a PA mixer?
A solo performer needs 2 to 4 channels for vocals and one or two instruments. A small band typically needs 6 to 8 channels for multiple microphones, instruments, and backing tracks. Worship teams and larger groups may need 10 to 16 channels. Always buy 2 extra channels beyond your current setup for future expansion.
What is the difference between a powered mixer and a passive mixer?
A powered mixer has a built-in amplifier and connects directly to passive speakers. A passive mixer has no amplifier and requires external powered speakers or a separate power amp. Powered mixers simplify your rig with fewer components, while passive mixers offer more flexibility to match amplification to your speakers.
Can a portable PA mixer be used for outdoor events?
Yes, portable PA mixers work well for outdoor events like busking, farmers markets, and small outdoor gatherings. Choose a mixer with enough wattage for your audience size, and consider models with rugged metal or wooden enclosures that can handle outdoor conditions. Battery-powered speakers paired with a passive mixer is another option for truly mobile setups.
How many watts do I need for a small live sound PA system?
For venues up to 50 people, 200W per channel is sufficient. For 50 to 150 people, aim for 300 to 500W per channel. For venues up to 200 to 300 people, 750W or more per channel works well. Always check the RMS continuous rating rather than peak or program wattage, which are often inflated marketing numbers.
Final Verdict: Which Portable PA Mixer Should You Buy?
After testing all eight mixers, the Mackie 402VLZ4 stands out as our editor’s choice for the best portable PA mixer for live sound. Its Onyx preamps deliver audio quality that punches well above its weight class, and the tank-like metal construction will survive years of regular gigging. For solo performers and duos who prioritize sound quality over features, it’s the mixer I reach for first.
If you need a powered mixer with a built-in amp, the Rockville RPM45 offers the best balance of power, features, and price for small bands and venues. Budget-conscious buyers who want Bluetooth and USB connectivity should look at the Pyle PMXU43BT.5, which packs an incredible number of features into a very affordable package. And for worship teams or bands that need 12 channels with built-in effects, the Mackie Mix12FX delivers reliable Mackie quality at a reasonable price.
No matter which mixer you choose, make sure it has enough channels for your current setup plus room to grow, phantom power if you use condenser mics, and the right connectivity options for your playback and recording needs. The best portable PA mixer for live sound is the one that fits your specific rig and workflow.